Greifswald
Creative agency and mobility in musical theater production. Mobilities, Transfers, and Reception (Gesa zur Nieden)
Music for Sale: International Music publishing as a nexus for Popular Music Production 1930-1950 (Franziska Kollinger)
Towards a history of popular music recording in Germany 1931–1950 (José Gálvez)
Linz
Production of popular music in municipal theaters 1930-50. Continuities, Priorities, Funding (Carolin Stahrenberg)
Staging the Body: Performances of gender, ethnicity, age and ability in sheet music editions of popular music from 1930 to 1950 in Austria and Germany (Roxane Lindlacher)
Salzburg
Between nationalisation and internationalisation. Transnational Networks of popular music production in fascist Germany and Austria (Sean Prieske)
“Swingin’ the Jinx Away“ – Options for Action and Strategies of Popular Swing and Dance Orchestras in the Third Reich (Thomas Flömer)