Augsburg
Creative agency and mobility in musical theater production
Mobilities, Transfers, and Reception (Gesa zur Nieden)
Music for Sale
International Music publishing as a nexus for Popular Music Production 1930-1950 (Franziska Kollinger)
Making records with/for the enemy
Exploring the entanglements of the recording industry in Germany (José Gálvez)
Linz
Production of popular music in municipal theaters 1930-50
Continuities, Priorities, Funding (Carolin Stahrenberg)
Staging the Body
Performances of gender, ethnicity, age and ability in sheet music editions of popular music from 1930 to 1950 in Austria and Germany (Roxane Lindlacher)
Salzburg
Between nationalisation and internationalisation
Transnational Networks of popular music production in fascist Germany and Austria (Sean Prieske)
“Swingin’ the Jinx Away“
Options for Action and Strategies of Popular Swing and Dance Orchestras in the Third Reich (Thomas Flömer)